This week I had a couple of trusted advisors tell me I should write for television. The reason? Character and dialogue are my strengths as a writer. Sure, I’m good at plot. But I kick butt at witty banter and genuine people.
So I feel what I’m about to write is appropriate. And, if you lived in my house, you’d know it was necessary. Because I’ve been obsessing about it for days. Here we go:
What the hell is up with Grey’s Anatomy?






